So Far So Good (2022)
Directing
Hestnes / Popovic
Rosendal Teater, Trondheim (NO) / Husets Teater (DK)
https://hestnespopovic.com/
Hestnes / Popovic
Rosendal Teater, Trondheim (NO) / Husets Teater (DK)
https://hestnespopovic.com/

Concept and text: Hestnes / Popović, Performers: Marina Popović, Anders Tougaard, Director: Freya Sif Hestnes, Scenography: Hestnes / Popović, Daniel Fogh, Sound design: Daniel Fogh, Dramaturge: Andrea Skotland, Costume design and props: Astrid Sønderskov Andersen, Light Design: Ingrid Skanke Høsøien, Creative development and text contribution: Anders Tougaard, Consulting dramaturge: Miriam Frandsen, Guru Stugu, Stage- and production manager: Rudolf Terland Bjørnerem, Producer: Andrea Skotland, Hestnes / Popović, Co-produced by: TOASTER Copenhagen, Rosendal Teater Trondheim, Photos by Atle Auran / Rosendal Teater and Nadia Caroline Andersen
More about it here: https://hestnespopovic.com/SFSG








Moby Dick (2023)
Scenography and costume design
Aalborg Teater (DK)
Aalborg Teater (DK)

Text: Herman Melville / Camilla Kold Andersen
Directing and text: Camilla Kold Andersen
Scenography assistant: Frederikke Krogh
Directing assistant: Frederikke Hooge
Light Design: Mia J. Willett
Sound design: Rune Abel Aagaard
more info










Jo mere vi er sammen (2022)
Scenography and costume design
Teatret Vårt, Molde (NO)
Teatret Vårt, Molde (NO)

Written by Kjøllmoen/Vedel
Directed by Leiv Arne Kjøllmoen, Dramaturge: Henriette Vedel, Scenography and costume design: Freya Sif Hestnes, Light: Jonas P A Fuglseth, Performed by Elias Moussaoui Anseth, Ingrid Myhre Løvik, Johanna Mørck and Olavus Frostad Udbye
Photos by Erik Birkeland and Freya Sif Hestnes
more info

























Mit Arbejde (2020)
Mitt Arbete
Mitt Arbete
Scenography and costume design
Husets Teater (DK) and Folkteatern (SE)
Husets Teater (DK) and Folkteatern (SE)

Near the end, when a large wooden crucifix with a placenta in the center is brought onto the stage, it is only a matter of capitulating. As usual, art is above all morality. GÖTEBORGS-POSTEN
Freya Sif Hestnes’ stage is a symbolic picture party and a carefully selected installation of objects from various times that would deserve its very own text DAGENS NYHETER
An intense drama, diluted by well-timed humour and condensed by a meaty scenography AFTONBLADET
★★★★★ ISCENE
★★★★★ KULTURINFORMATION
★★★★ JYLLANDS-POSTEN
Based on ‘Mit Arbejde’ by Olga RavnDirected by: Liv Helm, Scenography assistant: Astrid Sønderskov Andersen (Norwegian Theatre Academy), Dramaturge: Sanna Albjørk (DK), Text adaptation: Sanna Albjørk and Liv Helm, Performed by Christine Sønderris, Marie-Lydie Melono Nokouda (DK) and Nina Haber, Anna Lundström (SE)
Sound design and komposer: Nanna Karina Schleimann, Light design: Christian Vest Berntsen, Video trailer: Lina Ikse
Husets Teater (DK) - photos by Zuhal Kocan, Freya Sif Hestnes:















Folkteatern (SE) - Photos by Freya Sif Hestnes:












Photo by Lina Ikse:

Interiors (2020)
Interiør
Interiør
Video
From Spare Parts, solo exhibition
Galleri Image
Video link upon request
From Spare Parts, solo exhibition
Galleri Image
Video link upon request

Duet, video, 04:03 min loop (still)
Sound editing: Liis Ring
Exhibition text: Andy Allen-Olivar
Installation photos: Gert Skærlund
Supported by Statens Kunstfond, Århus Kulturudviklingspulje

Understrøm / Undercurrent, video, 03:51 min loop (still)

Breakup Album, video, 02:44 min loop (still)
Installation view:



Interview on the exhibition: